Internetty Goodness

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There’s something to be said about Girls and the state of diversity in education. Dunham is a recent college graduate; one of the first in a new generation of young writer/directors who will—whether we like it or not—be helping to shape the pop culture we’re going to consume over the next decade. If these course requirements represent the average college graduate requirements, then pop culture might be in trouble. I don’t claim to know what Dunham’s course schedule was while she attended Oberlin, but the fact that there’s a chance that she—and the other writers and directors who will come after her—has never had to read a Langston Hughes play, watch anything by Chen Kaige or Oscar Micheaux, or study any type of non-white/European media narrative is troubling, and it’s unsurprising that it would lead to the creation of a show that highlights (I would even go so far as to say rehashes) the lives of four white girls in New York City.

Despite our similarities in background, our views of life in New York city seem to be radically different. An article in The New Yorker tells me that our circles of friends come from the same pools: Oberlin Students and high school friends that more often than not come from the same group of New York City day schools and New England boarding schools. Not only do I work with a WOC who attended high school with her, I have friends who went to high school with both her and her younger sister and, because my friends consist of Latin@s, Asians, Blacks, and whites, I know her life couldn’t possibly have looked as white as the posters for Girls (which is semi-true to life; she calls her character Hannah “another version of herself”) would have you believe.

Yet Girls, set in Brooklyn, where only one-third of the population is white, somehow exists in a New York where minorities are only called to cast for one liners and nanny roles. “Pleasantly plump” Latinas may also inquire within.

These are casting calls from April and May of 2011—when the show was still filming its first season—pulled from Breakdowns Express. There may have been (and probably were) more that have since disappeared from the site.

When asked about the lack of diversity, The Voice of Our Generation didn’t have much of an answer.

“When I get a tweet from a girl who’s like, ‘I’d love to watch the show, but I wish there were more women of color,’” Dunham told the Huffington Post. “You know what? I do, too, and if we have the opportunity to do a second season, I’ll address that.”

But Dunham is the showrunner, writer, director, and star of Girls. I have the feeling that if she’d honestly wished for some diversity she’d have gotten some diversity.

The cool-breeze fabulousness that is TV Correspondent Kendra James, breaking down the bullshit that is Girls from the hype to the casting of PoCs to how Oberlin’s educating its pop-culture content-makers. Check it out on the R today! (via racialicious)

I think that’s the thing that pisses me off the most. She said she wishes there were WOC on the show as if she has nothing to do with the casting.

(via audiodopexx)

(via native-detroiter)

Filed under Kendra James Lena Dunham Lesley Arfin Girls white privilege white female privilege racism

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